會議名稱：【匯聚：交流中所形塑的亞洲】
主辦單位：國立故宮博物院 法國遠東學院
日期：2009年5月20至22日
地點：國立故宮博物院文會堂
報名：4/20開始線上報名，名額有限，額滿為止。
主辦單位：國立故宮博物院 法國遠東學院
日期：2009年5月20至22日
地點：國立故宮博物院文會堂
報名：4/20開始線上報名，名額有限，額滿為止。
會議網址：http://www.convention.com.tw/npm/index.html
2009年4月23日 星期四
2009年4月17日 星期五
欲參加4/26（日）中央大學藝研所David Carrier訪台演講暨藝術史論壇論文發表會者請看此篇！
諸位藝術史論壇夥伴好！
中大藝研所4/26（日）舉辦之【David Carrier訪台演講暨藝術史論壇論文發表會大會】欲詢問與會者前來本校之交通安排：
1. 自行開車者，請聯絡我們，以備妥臨時停車證。
2. 自行駕車前來，若您尚可搭載他人，請通知我們。
3. 欲自行前來，但尚無交通工具者，請告知我們，我們可代為安排詢問。
以上，煩請於4/21（週二）以前在此留言，或聯絡
中大藝研所
吳小姐
(03)422-7151*33661
seeingwu@cc.ncu.edu.tw
中大藝研所4/26（日）舉辦之【David Carrier訪台演講暨藝術史論壇論文發表會大會】欲詢問與會者前來本校之交通安排：
1. 自行開車者，請聯絡我們，以備妥臨時停車證。
2. 自行駕車前來，若您尚可搭載他人，請通知我們。
3. 欲自行前來，但尚無交通工具者，請告知我們，我們可代為安排詢問。
以上，煩請於4/21（週二）以前在此留言，或聯絡
中大藝研所
吳小姐
(03)422-7151*33661
seeingwu@cc.ncu.edu.tw
自行開車
中山高：
南下62.4公里處(國道編號62號)新屋交流道出口，下高速公路後左轉往中壢市區方向(民族路)行駛，至環西路左轉，志廣路左轉，約3~5分鐘可抵達本校前門。
北二高：
南下62公里處出口下交流道後，沿66號東西向快速道路往中壢、觀音方向，連結中山高速公路後依上述指示行駛，約30分鐘抵達本校。
南下62.4公里處(國道編號62號)新屋交流道出口，下高速公路後左轉往中壢市區方向(民族路)行駛，至環西路左轉，志廣路左轉，約3~5分鐘可抵達本校前門。
北二高：
南下62公里處出口下交流道後，沿66號東西向快速道路往中壢、觀音方向，連結中山高速公路後依上述指示行駛，約30分鐘抵達本校。
搭乘火車
中壢火車站下車，前站出站後另轉乘【2路】公車或計程車（車資150-200元）抵達本校。
其他更詳盡的乘車訊息歡迎參考中大網站～
本演講場地位於文學院一館三樓，詳細位置請參考中大校園導覽
2009年4月16日 星期四
4/18週六下午史博館陳東和先生演講：侯錦郎的藝術世界
時間：4/18（六）下午2:30-4:30
地點：國立歷史博物館遵彭廳
題目：侯錦郎的藝術世界
陳東和先生
討論會主持人：陳郁秀女士
與會討論人：席慕蓉、趙國宗、黃海鳴、李賢文、鄭麗君
2009年4月10日 星期五
2009年6月18日國立臺灣大學藝術史研究所---「乾隆宮廷藝術」研討會
2009國立臺灣大學藝術史研究所「乾隆宮廷藝術」研討會
※ 會議日期：2009年6月18日(週四)上午九時至下午六時
※ 會議地點：臺灣大學第二學生活動中心B1蘇格拉底廳
※ 主辦單位：國立臺灣大學藝術史研究所
議 程
評論人：石守謙
第一場發表人：傅申 乾隆御筆〈盤山圖〉軸研究
第二場發表人：賴毓芝 宮廷動物與文化交流：以楊大章畫額摩鳥為中心
評論人：何傳馨
第三場發表人：王耀庭 乾隆皇帝書法研究
第四場發表人：陳葆真 從四幅歲朝圖的表現問題談到乾隆皇帝的親子關係
評論人：傅申
第五場發表人：劉怡瑋 Archive of Power: The Qing Dynasty Imperial Garden-Palace at Rehe
第六場發表人：邱士華 寶親王的書畫收藏
評論人：謝明良
第七場發表人：施靜菲 洋風與新挑戰：乾隆宮廷畫琺瑯的發展
第八場發表人：余佩瑾 清高宗乾隆皇帝為洋彩配製木匣及其組合陶瓷多寶格的問題
※ 欲參加本研討會敬請下載研討會登記表
並於5/31前以傳真至(02)2363-9096
或email: wantien@ntu.edu.tw完成報名
主辦單位：國立臺灣大學藝術史研究所
第七場發表人：施靜菲 洋風與新挑戰：乾隆宮廷畫琺瑯的發展
第八場發表人：余佩瑾 清高宗乾隆皇帝為洋彩配製木匣及其組合陶瓷多寶格的問題
※ 欲參加本研討會敬請下載研討會登記表
並於5/31前以傳真至(02)2363-9096
或email: wantien@ntu.edu.tw完成報名
主辦單位：國立臺灣大學藝術史研究所
網址 ：http://homepage.ntu.edu.tw/~artcy/
電話 ：(02) 3366-422 E-mail：wantien@ntu.edu.tw
※ 本研討會須事先登記報名 敬請上本所網址下載演講登記表 ※
電話 ：(02) 3366-422 E-mail：wantien@ntu.edu.tw
※ 本研討會須事先登記報名 敬請上本所網址下載演講登記表 ※
(參與人數限制100人)
2009年4月9日 星期四
Photography in China, April 24-25, 2009: Northwestern University
Subject: Photography in China, April 24-25, 2009: Northwestern University
FRIDAY, APRIL 24, 2009
McCormick Auditorium, Tribune Building, 1870 Campus Drive
Northwestern University
http://groups.arthistory.northwestern.edu/chinaphotography/
8:45 a.m., Welcome
S. Hollis Clayson, Professor of Art History; Director of Alice Kaplan Institute for the Humanities
8:55 a.m.-10:35 a.m.,
Session I: The Violent Turn
Chair: Brook Ziporyn, Department of Religion, Northwestern University
9:00 a.m.
Conference Introduction
Sarah E. Fraser, Associate Professor of Art History, Northwestern University,
“Violence and the Photographic Encounter”
9:25 a.m.
Leo Ou-fan Lee, Professor of Chinese Literature, Chinese University of Hong Kong,
“Invitation to a Beheading: Chinese Identity under Colonial Gaze”
9:50 a.m.
James Hevia, Professor of History and Director, International Studies, University of Chicago, “Photographs of Public Executions in China”
10:15 a.m.
Discussants: Peter Carroll, Department of History, Northwestern University;
Robert Hariman, Department of Communication Studies, Northwestern University
10:40 a.m., Coffee
10:50 a.m.-12:15 p.m.,
Session II: Technique and Industry
Chair: Christina H. Kiaer, Department of Art History, Northwestern University
10:50 a.m.
Christopher Pinney, Professor of Cultural and Visual Anthropology, University College London, “Camerawork as Technical Practice in Colonial India”
11:15 p.m.
William Schaefer, Assistant Professor, East Asian Languages and Cultures, University of California, Berkeley,
“Picturing Photography, Abstracting Pictures: The Domain of Images in Republican Shanghai”
11:40 p.m.
Chris Reed, Associate Professor,
The Ohio State University; Chief Editor, Twentieth Century China,
“Hybrid China: Early Chinese Industrial Photography”
12:05 p.m.
Discussant: Christopher Bush, Department of French and Italian,Northwestern University
12:30 p.m.-2:30 p.m., Lunch
2:30 p.m.-4:30 p.m.,
Session III: Peripheral Nationals
Chair: Victor Shih, Department of Political Science, Northwestern University
2:30 p.m.
Wang Ming-ke, Professor and Director of Chinese Ethnographic Project,
Institute of History and Philology, Academia Sinica, Taipei,
“Photographing Peripheral Nationals in China (1928-1936): The Case of Ethnographic Photographs Taken by Institute of History and Philology Scholars”
2:55 p.m.
Wang Peng-hui, Ph.D. Candidate, Department of Anthropology, National Taiwan University, “Ethnic Encounter in the Tribal Marketplace: Rui Yifu's Ethnographic Photography in Southwest China”
3:20 p.m.
Paul D. Barclay, Associate Professor, Lafayette College,
“Redefining China's Outer Limits: Colonial Photography on Taiwan's Sino-Japanese Frontier, 1895-1940”
3:45 p.m.
Discussant: Dilip Gaonkar, Department of Communications Studies and Director, Center for Global Culture and Communication, Northwestern University
Followed by General Discussion of Panels I-III
4:30 p.m.-5:30 p.m., Reception
SATURDAY, APRIL 25, 2009
Kresge Centennial Hall, Room 3-430, 1880 Campus Drive
9:00 a.m., Coffee
9:30 a.m.-11:15 a.m.,
Session IV: The City and Frontier
Chair: Amy Stanley, Assistant Professor of Japanese History, Northwestern University
9:30 a.m.
Yeh Wen-hsin, Professor of History and Director, Institute of East Asian Studies,
University of California, Berkeley, “The Camera and the City: Perspectives from Shanghai and Chongqing”
9:55 a.m.
Frances Terpak, Senior Collections Curator (Photography), The Getty Research Institute, “Transferring the Image: The Acceptance of Photography in China”
10:20 a.m.
Eliza Ho, Ph.D. Candidate, The Ohio State University, “Sha Fei's Revisions of the Great Wall in Chinese Wartime Photography”
10:45 a.m.
Discussant: Christopher Pinney, Professor of Cultural and Visual Anthropology, University College London
11:15 a.m., Coffee
11:25 a.m.-12:20 p.m.,
Session V: The Photographic Medium
Chair: Chris Reed, The Ohio State University
11:25 a.m.
Shaoqian Zhang, Ph.D. Candidate, Northwestern University, “The Supremacy of Modern Time: How Shanghai Calendars Re-shaped the Image of China (1860-1920)”
11:45 a.m.
Austin Parks, Graduate Student, History, Northwestern University,
“Imaging Ideology in Meiji Japan: The Graphic and Photographic Representations of Nation and Empire”
12:05 p.m.
Discussant: Kerry Ross, Assistant Professor of History, DePaul University
12:20 p.m.-1:30 p.m., Lunch
12:20 p.m.-1:30 p.m.,
Special Session: Working Lunch for Graduate Students Frances Terpak, Curator of Photography, Getty Research Institute,
“Conducting Research in Photographic Archives” (location: Alice Kaplan Institute for the Humanities, 2-370 Kresge Hall)
1:30 p.m.-2:30 p.m.,
Session VI: Concluding Workshop Discussion Sponsored by Northwestern University's Department of Art History-The Meyers Fund, The Alice Kaplan Institute for the Humanities, The Graduate School-Asian Cluster,
The Buffet Center for International Studies,Center for Global Culture and Communication, Asian and Middle Eastern Studies (AMES), and The Department of History.
FRIDAY, APRIL 24, 2009
McCormick Auditorium, Tribune Building, 1870 Campus Drive
Northwestern University
http://groups.arthistory.northwestern.edu/chinaphotography/
8:45 a.m., Welcome
S. Hollis Clayson, Professor of Art History; Director of Alice Kaplan Institute for the Humanities
8:55 a.m.-10:35 a.m.,
Session I: The Violent Turn
Chair: Brook Ziporyn, Department of Religion, Northwestern University
9:00 a.m.
Conference Introduction
Sarah E. Fraser, Associate Professor of Art History, Northwestern University,
“Violence and the Photographic Encounter”
9:25 a.m.
Leo Ou-fan Lee, Professor of Chinese Literature, Chinese University of Hong Kong,
“Invitation to a Beheading: Chinese Identity under Colonial Gaze”
9:50 a.m.
James Hevia, Professor of History and Director, International Studies, University of Chicago, “Photographs of Public Executions in China”
10:15 a.m.
Discussants: Peter Carroll, Department of History, Northwestern University;
Robert Hariman, Department of Communication Studies, Northwestern University
10:40 a.m., Coffee
10:50 a.m.-12:15 p.m.,
Session II: Technique and Industry
Chair: Christina H. Kiaer, Department of Art History, Northwestern University
10:50 a.m.
Christopher Pinney, Professor of Cultural and Visual Anthropology, University College London, “Camerawork as Technical Practice in Colonial India”
11:15 p.m.
William Schaefer, Assistant Professor, East Asian Languages and Cultures, University of California, Berkeley,
“Picturing Photography, Abstracting Pictures: The Domain of Images in Republican Shanghai”
11:40 p.m.
Chris Reed, Associate Professor,
The Ohio State University; Chief Editor, Twentieth Century China,
“Hybrid China: Early Chinese Industrial Photography”
12:05 p.m.
Discussant: Christopher Bush, Department of French and Italian,Northwestern University
12:30 p.m.-2:30 p.m., Lunch
2:30 p.m.-4:30 p.m.,
Session III: Peripheral Nationals
Chair: Victor Shih, Department of Political Science, Northwestern University
2:30 p.m.
Wang Ming-ke, Professor and Director of Chinese Ethnographic Project,
Institute of History and Philology, Academia Sinica, Taipei,
“Photographing Peripheral Nationals in China (1928-1936): The Case of Ethnographic Photographs Taken by Institute of History and Philology Scholars”
2:55 p.m.
Wang Peng-hui, Ph.D. Candidate, Department of Anthropology, National Taiwan University, “Ethnic Encounter in the Tribal Marketplace: Rui Yifu's Ethnographic Photography in Southwest China”
3:20 p.m.
Paul D. Barclay, Associate Professor, Lafayette College,
“Redefining China's Outer Limits: Colonial Photography on Taiwan's Sino-Japanese Frontier, 1895-1940”
3:45 p.m.
Discussant: Dilip Gaonkar, Department of Communications Studies and Director, Center for Global Culture and Communication, Northwestern University
Followed by General Discussion of Panels I-III
4:30 p.m.-5:30 p.m., Reception
SATURDAY, APRIL 25, 2009
Kresge Centennial Hall, Room 3-430, 1880 Campus Drive
9:00 a.m., Coffee
9:30 a.m.-11:15 a.m.,
Session IV: The City and Frontier
Chair: Amy Stanley, Assistant Professor of Japanese History, Northwestern University
9:30 a.m.
Yeh Wen-hsin, Professor of History and Director, Institute of East Asian Studies,
University of California, Berkeley, “The Camera and the City: Perspectives from Shanghai and Chongqing”
9:55 a.m.
Frances Terpak, Senior Collections Curator (Photography), The Getty Research Institute, “Transferring the Image: The Acceptance of Photography in China”
10:20 a.m.
Eliza Ho, Ph.D. Candidate, The Ohio State University, “Sha Fei's Revisions of the Great Wall in Chinese Wartime Photography”
10:45 a.m.
Discussant: Christopher Pinney, Professor of Cultural and Visual Anthropology, University College London
11:15 a.m., Coffee
11:25 a.m.-12:20 p.m.,
Session V: The Photographic Medium
Chair: Chris Reed, The Ohio State University
11:25 a.m.
Shaoqian Zhang, Ph.D. Candidate, Northwestern University, “The Supremacy of Modern Time: How Shanghai Calendars Re-shaped the Image of China (1860-1920)”
11:45 a.m.
Austin Parks, Graduate Student, History, Northwestern University,
“Imaging Ideology in Meiji Japan: The Graphic and Photographic Representations of Nation and Empire”
12:05 p.m.
Discussant: Kerry Ross, Assistant Professor of History, DePaul University
12:20 p.m.-1:30 p.m., Lunch
12:20 p.m.-1:30 p.m.,
Special Session: Working Lunch for Graduate Students Frances Terpak, Curator of Photography, Getty Research Institute,
“Conducting Research in Photographic Archives” (location: Alice Kaplan Institute for the Humanities, 2-370 Kresge Hall)
1:30 p.m.-2:30 p.m.,
Session VI: Concluding Workshop Discussion Sponsored by Northwestern University's Department of Art History-The Meyers Fund, The Alice Kaplan Institute for the Humanities, The Graduate School-Asian Cluster,
The Buffet Center for International Studies,Center for Global Culture and Communication, Asian and Middle Eastern Studies (AMES), and The Department of History.
臺北縣立鶯歌陶瓷博物館 公開徵選兼職英文導覽員 二名
臺北縣立鶯歌陶瓷博物館 公開徵選兼職英文導覽員 二名
一、工作內容：
1.本館常設展、特展、陶瓷藝術園區之中文、英文導覽；國際貴賓接待
2.教案、學習單設計撰寫
3.協助導覽志工聯繫、排班事宜
4.翻譯等其它臨時交辦業務
二、工作特色：
博物館導覽員為文化服務業，將藝術與文化的深刻感動分享給觀眾，除了需具有陶瓷專業知識外，樂與群眾、學生接觸、反應靈敏皆為勝任導覽工作之重要特質。
三、個人特質：
此份工作機會期待英文溝通流利、喜愛陶瓷藝術，擅群眾溝通語言、具強烈學習動機、願意主動分享、個性主動活潑者前來挑戰！
四、工作時間：09:00—17:00。周二~周五(輪班2—3天)、周末及國定假日(採輪班制)。以時間彈性、可配合假日工作者佳。
五、工作地點：臺北縣立鶯歌陶瓷博物館
六、薪資：享勞健保，時薪制(培訓期間每小時100元，俟考核通過後180元)。
七、學歷及語文條件：大學以上畢業。精通英文，具語言認証者佳。
八、電腦能力要求：辦公文書處理(word、excel、powerpoint等)
九、面試時間：採履歷表初審制。約4月底通知合者來館面試。
十、開始上班時間：5月初
十一、意者請於98年4月15日前寄達(非郵戳)，將本館指定履歷格式(如附件)及相關資料
郵寄至： 23942臺北縣鶯歌鎮文化路200號 鶯歌陶瓷博物館 教育推廣組
並於信封加註「應徵英文兼職導覽員」
或以電子郵件寄至ab7843@tpc.gov.tw
(若以電子郵件方式寄送，附件亦請以數位檔案一併寄送。履歷寄出後，請務必來電確認，避免信箱誤判。)
十二、聯絡人：鶯歌陶瓷博物館 教育推廣組 黃蘭燕
02-86772727*705 ab7843@tpc.gov.tw
一、工作內容：
1.本館常設展、特展、陶瓷藝術園區之中文、英文導覽；國際貴賓接待
2.教案、學習單設計撰寫
3.協助導覽志工聯繫、排班事宜
4.翻譯等其它臨時交辦業務
二、工作特色：
博物館導覽員為文化服務業，將藝術與文化的深刻感動分享給觀眾，除了需具有陶瓷專業知識外，樂與群眾、學生接觸、反應靈敏皆為勝任導覽工作之重要特質。
三、個人特質：
此份工作機會期待英文溝通流利、喜愛陶瓷藝術，擅群眾溝通語言、具強烈學習動機、願意主動分享、個性主動活潑者前來挑戰！
四、工作時間：09:00—17:00。周二~周五(輪班2—3天)、周末及國定假日(採輪班制)。以時間彈性、可配合假日工作者佳。
五、工作地點：臺北縣立鶯歌陶瓷博物館
六、薪資：享勞健保，時薪制(培訓期間每小時100元，俟考核通過後180元)。
七、學歷及語文條件：大學以上畢業。精通英文，具語言認証者佳。
八、電腦能力要求：辦公文書處理(word、excel、powerpoint等)
九、面試時間：採履歷表初審制。約4月底通知合者來館面試。
十、開始上班時間：5月初
十一、意者請於98年4月15日前寄達(非郵戳)，將本館指定履歷格式(如附件)及相關資料
郵寄至： 23942臺北縣鶯歌鎮文化路200號 鶯歌陶瓷博物館 教育推廣組
並於信封加註「應徵英文兼職導覽員」
或以電子郵件寄至ab7843@tpc.gov.tw
(若以電子郵件方式寄送，附件亦請以數位檔案一併寄送。履歷寄出後，請務必來電確認，避免信箱誤判。)
十二、聯絡人：鶯歌陶瓷博物館 教育推廣組 黃蘭燕
02-86772727*705 ab7843@tpc.gov.tw
2009年4月7日 星期二
David Carrier訪台演講暨藝術史論壇論文發表會大會議程表
David Carrier訪台演講暨藝術史論壇論文發表會大會議程表
時間：民國98年4月26日（星期日）
地點：國立中央大學文學院舊館三樓國際會議廳
10:00-12:00 專題演講
演講題目：Ernst Gombrich’s Account of Chinese Painting宮布利希論中國繪畫
演講者： David CarrierChampney Family Professor, Case Western ReserveUniversity/Cleveland Institute of Art, 2001-
12:00-13:30 餐敘
13:30-15:30論文發表
論文題目：電影裡的藝術史--從李行和白景瑞的電影作品說起
發表人： 黃猷欽（國立台南藝術大學藝術史學系助理教授）
論文題目：日治傳統文人魏清德的藝術品味
發表人： 謝世英：（國立歷史博物館助理研究員）
15:30-16:00 中場茶點
16:00-17:00論壇
新書與研究取向：
1. 亞洲藝術交流史的新趨勢
2. 中國佛教美術史的熱潮
3. 歷史與藝術史的關係
欲報名與會者，請洽：
中央大學藝術學研究所研究助理
王聖閎（heifetzsoul@gmail.com ；0939581696）
時間：民國98年4月26日（星期日）
地點：國立中央大學文學院舊館三樓國際會議廳
10:00-12:00 專題演講
演講題目：Ernst Gombrich’s Account of Chinese Painting宮布利希論中國繪畫
演講者： David CarrierChampney Family Professor, Case Western ReserveUniversity/Cleveland Institute of Art, 2001-
12:00-13:30 餐敘
13:30-15:30論文發表
論文題目：電影裡的藝術史--從李行和白景瑞的電影作品說起
發表人： 黃猷欽（國立台南藝術大學藝術史學系助理教授）
論文題目：日治傳統文人魏清德的藝術品味
發表人： 謝世英：（國立歷史博物館助理研究員）
15:30-16:00 中場茶點
16:00-17:00論壇
新書與研究取向：
1. 亞洲藝術交流史的新趨勢
2. 中國佛教美術史的熱潮
3. 歷史與藝術史的關係
欲報名與會者，請洽：
中央大學藝術學研究所研究助理
王聖閎（heifetzsoul@gmail.com ；0939581696）
紐約大學碩士課程獎學金公告（學習考古文物維修）
此則紐約大學碩士課程獎學金公告，謝謝中研院史語所林聖智老師代轉即將任教紐約大學的沈雪曼老師傳來之消息。
這個獎學金是專門為學習考古文物維修而設，免學費，獎學金優渥，申請截止日期是4月20日。
THE LEON LEVY VISITING FELLOWSHIP
The Conservation Center of the Institute of Fine Arts, New York University’s prestigious graduate training program in conservation, is pleased to announce the establishment of The Leon Levy Visiting Fellowship. This scholarship program presents a unique opportunity for an individual specializing in the conservation of archaeological materials of the ancient world from the western Mediterranean to China to study at NYU, with its renowned faculty and unparalleled resources,
for one academic year.
The Leon Levy Visiting Fellow will enroll in graduate conservation courses alongside matriculated NYU students, allowing him/her to follow a compressed version of the Conservation Center’s two-year fundamentals curriculum. The Center’s broad educational approach, its emphasis on
integrating conservation science into the curriculum, and its preventive conservation offerings will expose the Fellow to valuable information and methodologies for preservation unavailable elsewhere. The Fellow will also have the opportunity to enroll in advanced courses in the conservation of archaeological materials.
REQUIREMENTS
The Center welcomes applications from individuals interested in pursuing study related to the conservation of artifacts from the ancient world. Qualified candidates for the Leon Levy Visiting Fellowship must satisfy the following criteria prior to application.
• Hold a Bachelors degree or its equivalent.
• Complete the TOEFL (Test of English as a Foreign Language) examination (minimum score of 100).
• Must be affiliated with an academic, museum, or research institution when applying for the Fellowship.
• Portfolio of prior conservation experience.
Three letters of recommendation and a written personal statement are required with the application.
Preference will be given to candidates whose home countries do not provide graduate conservation training.
AWARD
The Leon Levy Visiting Fellow will receive funding to cover the cost of tuition, including related University fees and health insurance. In addition, the Fellow will receive a stipend of $25,000 to offset living expenses including housing and a travel allowance of $5,000 to travel to New York City from their home country.
The application deadline for the 2009-2010 academic year is April 20, 2009. The Fellowship will commence August 15, 2009 and conclude May 30, 2010. (Interested individuals should contact the Conservation Center by email at conservation.program@nyu.edu for application information.)
This Fellowship is made possible through a generous grant from the Leon Levy Foundation.
The Conservation Center, Institute of Fine Arts, New York University
14 East 78th Street, New York, NY 10075 www.ifa.nyu.edu
Founded in 1960, the Conservation Center of the Institute of Fine Arts is dedicated to the study of the technology and conservation of works of art and historic artifacts. It prepares students for careers in conservation through a four-year program that combines practical experience in conservation with art historical, archaeological, curatorial, and scientific studies of the materials and construction of works of art.
in the Conservation of Archaeological Materials
The Conservation Center of the Institute of Fine Arts, New York University’s prestigious graduate training program in conservation, is pleased to announce the establishment of The Leon Levy Visiting Fellowship. This scholarship program presents a unique opportunity for an individual specializing in the conservation of archaeological materials of the ancient world from the western Mediterranean to China to study at NYU, with its renowned faculty and unparalleled resources,
for one academic year.
The Leon Levy Visiting Fellow will enroll in graduate conservation courses alongside matriculated NYU students, allowing him/her to follow a compressed version of the Conservation Center’s two-year fundamentals curriculum. The Center’s broad educational approach, its emphasis on
integrating conservation science into the curriculum, and its preventive conservation offerings will expose the Fellow to valuable information and methodologies for preservation unavailable elsewhere. The Fellow will also have the opportunity to enroll in advanced courses in the conservation of archaeological materials.
REQUIREMENTS
The Center welcomes applications from individuals interested in pursuing study related to the conservation of artifacts from the ancient world. Qualified candidates for the Leon Levy Visiting Fellowship must satisfy the following criteria prior to application.
• Hold a Bachelors degree or its equivalent.
• Complete the TOEFL (Test of English as a Foreign Language) examination (minimum score of 100).
• Must be affiliated with an academic, museum, or research institution when applying for the Fellowship.
• Portfolio of prior conservation experience.
Three letters of recommendation and a written personal statement are required with the application.
Preference will be given to candidates whose home countries do not provide graduate conservation training.
AWARD
The Leon Levy Visiting Fellow will receive funding to cover the cost of tuition, including related University fees and health insurance. In addition, the Fellow will receive a stipend of $25,000 to offset living expenses including housing and a travel allowance of $5,000 to travel to New York City from their home country.
The application deadline for the 2009-2010 academic year is April 20, 2009. The Fellowship will commence August 15, 2009 and conclude May 30, 2010. (Interested individuals should contact the Conservation Center by email at conservation.program@nyu.edu for application information.)
This Fellowship is made possible through a generous grant from the Leon Levy Foundation.
The Conservation Center, Institute of Fine Arts, New York University
14 East 78th Street, New York, NY 10075 www.ifa.nyu.edu
Founded in 1960, the Conservation Center of the Institute of Fine Arts is dedicated to the study of the technology and conservation of works of art and historic artifacts. It prepares students for careers in conservation through a four-year program that combines practical experience in conservation with art historical, archaeological, curatorial, and scientific studies of the materials and construction of works of art.
in the Conservation of Archaeological Materials
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